Having given the evidence for William Shakespeare's Catholicism in two previous books, literary biographer Joseph Pearce turns his attention in this work to the Bard's most famous play, Romeo and Juliet.
"Star-crossed" Romeo and Juliet are Shakespeare's most famous lovers and perhaps the most well-known lovers in literary history. Though the young pair has been held up as a romantic ideal, the play is a tragedy, ending in death. What then, asks Pearce, is Shakespeare saying about his protagonists? Are they the hapless victims of fate, or are they partly to blame for their deaths? Is their love the "real thing", or is it self-indulgent passion? And what about the adults in their lives? Did they give the young people the example and guidance that they needed?
The Catholic understanding of sexual desire, and its need to be ruled by reason, is on display in Romeo and Juliet, argues Pearce. The play is not a paean to romance but a cautionary tale about the naïveté and folly of youthful infatuation and the disastrous consequences of poor parenting. The well-known characters and their oft-quoted lines are rich in symbolic meaning that points us in the direction of the age-old wisdom of the Church.
Although such a reading of Romeo and Juliet is countercultural in an age that glorifies the heedless and headless heart of young love, Pearce makes his case through a meticulous engagement with Shakespeare and his age and with the text of the play itself.
Joseph Pearce is writer in residence and Visiting Fellow at Thomas More College in New Hampshire. He is the author of The Quest for Shakespeare and Through Shakespeare's Eyes and editor of the Ignatius Critical Editions of Romeo and Juliet, The Merchant of Venice, Julius Caesar, Hamlet, Macbeth and King Lear. His other books include literary biographies of Oscar Wilde, J. R. R. Tolkien, C. S. Lewis, G. K. Chesterton and Alexander Solzhenitsyn.
"Joseph Pearce's book on Romeo and Juliet stands like a lighthouse in the murk of modern literary criticism. His approach challenges the assumptions that govern popular 'scholarly' work on Shakespeare in our time. It is massively researched, convincing, intelligent, and (happily) interesting. I commend it highly to all possible readers."
- Thomas Howard, Author, Chance or the Dance?