The Hostage (A Drama Play)

The year is 1812: the army of Napoleon Bonaparte has initiated its fatal invasion of Russia while Pope Pius VII languishes as a political prisoner of the Emperor. When George de Coûfontaine et Dormant, Lord Lieutenant of the King, kidnaps the Pope, he sets into motion a series of events whose outcome could determine the fate of the Church and world alike. Bringing his papal hostage to the ancestral Coûfontaine home, George draws his cousin and the play’s heroine, Sygne, into the conspiracy to restore the French King to the throne, regardless of cost in terms of honor or happiness. In contrast to his visionary medieval or metaphysical dramas, Claudel sets the Hostage at a definite historical moment to create a conflict of conscience, of antipodal faiths, and, ultimately, of creature and Creator.

The Hostage, as Pierre Chavannes writes in his eloquent Introduction, is “the work of a great poet; it speaks to the noblest in us and can therefore only leave us nobler.”

Paperback, 186 pages.