The Heresy of Formlessness: The Roman Liturgy and Its Enemy (Revised and Expanded Edition)
No reviews yet. Write review.
This item will earn 25 loyalty reward points. Learn about loyalty points >
Product Description
Praise for The Heresy of Formlessness
“Martin Mosebach has identified the central issue of the debate about liturgical reform, which is really a debate about the nature and mission of the Church. This issue is not an argument or factual claim, but an insidious cultural habit of mind which encourages the thought that the outward form of a thing is incidental to its inner meaning and value, and that when a form reflects its contents it must lack authenticity: it must be a fake. But this idea is incompatible with all symbolism, all ritual, and all but the most degraded art. Mosebach’s opposition to this habit of mind is indispensable, and his account of the power of the liturgy is luminous. The Heresy of Formlessness is one of the most important books on the liturgy to be published in the last half-century, and among those certainly the most accessible. I recommend it to everyone.”
“From the day of its initial publication, Martin Mosebach’s The Heresy of Formlessness has remained the preeminent apologia for the cause of the Traditional Mass. Written with the skill of a great novelist, Heresy makes the case for Tradition based on colorfully- and precisely-described facts and experiences—and always with reference to the author’s profound knowledge of both Western and Eastern liturgies. To those who already love the Traditional Mass—as well as those who just want to find out what it’s all about—I can only say ‘buy this book!’”
“The Heresy of Formlessness is the greatest book ever written on liturgical form. The source and summit of the Church’s life is a sacrifice and a sacrament, and therefore also a work of art. Here one of the foremost literary artists of our time shows how the supernatural depths of the liturgy are present in its external artistic form.”
“‘Tradition is not to preserve the ashes but to pass on the fire.’ In describing how he did not discover the beauty and wealth of the faith until he experienced the solemn vetus ordo liturgy, Martin Mosebach speaks from the heart of the generation that came of age after 1960. He shows how important are profound music, majestic rites, and inspired architecture and painting for true service to God. For him, the liturgy is the ‘faith-language’ of the Church. Words and phrases may alter slowly to convey and deepen the lasting content over time, but the grammar does not change—for arbitrarily changed grammar silences prior meaning in language. Mosebach’s work undertakes to give Tradition back its voice.”
“The Heresy of Formlessness exposes how the mentality that considered Form as a distraction from the truths of the faith provoked a widespread suppression of inherited Tradition, leaving a void filled by new expressions lacking spiritual content, and often ridiculous. In contrast to this path of decadence, Martin Mosebach offers us a text replete with remarkable examples and concrete experiences—helping us discover through our own senses and reasoning the beauty of the liturgical forms, leading us to a better understanding of the Divine Mystery of the Incarnation and sacrifice of Christ.”
“One of the deepest and most insightful books ever written on the Roman liturgy, The Heresy of Formlessness has lost nothing of its relevance since its first publication; on the contrary, Mosebach’s diagnosis proves ever more therapeutic as the disease progresses. The note sounded is, however, not one of despair but of faith in the power of tradition to reassert itself even in hostile times.”
“A landmark assessment of the liturgical debacle of our time from the unusual perspective of a novelist of the first rank. Martin Mosebach’s insights will surprise traditionalists, even as they infuriate the dogged defenders of the collapse of the liturgy.”
“Modern western pluralism thrives on formlessness and sees in any attempt to establish forms and norms with claims to transcendent and universal significance a dagger aimed at its heart. It elevates endless searching and flux above civilization and culture-building of all kinds. Martin Mosebach, in his extraordinarily readable and inimitable manner, clearly demonstrates how such evangelical formlessness in the liturgy can never assure the proper worship of God. He shows us how form and beauty—here, as in every aspect of life—are not aesthetic ‘extras’ in establishing man’s correct relationship to his Creator, but an essential element in identifying and maintaining that relationship.”
